Strymon Deco Tape Saturation & Doubletracker v2
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Tape: The First Effect
Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds.
Our journey begins with the early recording studios of the ’50s and ’60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!
From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.
Deco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.
The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.
Classic Sound, New Features.
Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco’s EXP/MIDI jack or USB-C connection.
Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.
300 MIDI preset locations are available for loading and saving your favorite settings.
New Tonal Options
We’ve added new controls for even more sonic flexibility.
Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone.
In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.
A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.
All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.
- High impedance ultra low-noise discrete Class A JFET TRS stereo input.
- Low impedance independent TS stereo outputs.
- Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
- USB jack for controlling via MIDI from a computer or for performing firmware updates.
- Dedicated Tape Saturation On/Off & Doubletracker On/Off footswitches
- Premium JFET analog front end
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
- 520MHz ARM Superscalar processor
- 32-bit floating point processing
- 20Hz to 20kHz frequency response
- Audio Input Impedance: 1M Ohm
- Audio Output Impedance: 100 OhmStrong and lightweight anodized silver aluminum chassis
- 9V DC power supply included
- Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current
- Dimensions:4.5” deep x 4” wide x 1.75” tall
- 11.4 cm deep x 10.2 cm wide x 4.4 cm tall
- Designed and built in the USA